The top photo shows the beginning of the layout for Shy Beast.
The lower photo shows its current state, with a strip of leafy treetops sewn across the top and a short tree in the foreground. So far everything in the piece was produced in one marbling session, which is one way to have a coordinated palette.
The piece is up on my wall right now so I can mull it over and wait for the marker lines to disappear. Had I stopped to think about it, all that marker was not really needed.
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